Analog zur auf der Moll-Pentatonik aufgebauten Bluestonleiter gibt es eine Dur-Bluestonleiter, die auf der Dur-Pentatonik aufbaut und, auf C bezogen, die Töne c, d, es, e, g, a und b hat. Auch auf der Mundharmonika, einem sehr typischen Instrument des Blues, lassen sich durch das Bending mit speziellen Blas- und Zugtechniken ebenfalls die Tonhöhen der Blue notes verändern. They function well because they are simple and can fit over different types of chords. A flat Blues (Concert C flat) 7. The major 3rd of the tonic drops to the minor 3rd (7th of the IV chord) and back again. This principle applies whether creating head arrangements for horns, voices, strings or whatever.
Blues breaks the rules of conventional jazz harmony and improvisation. E flat Blues (Concert D flat) 5. Put your scale sheet away and play saxophone scales by ear. I like to identify blues scales in two forms, a Major blues scale and the more traditional Minor blues scale. These are the notes for “A” minor pentatonic. [1] Man erhält dadurch folgende Tonleiter: Die Existenz von großer und kleiner Terz sowie reiner und verminderter Quinte in dieser Tonleiter soll es ermöglichen, die eigentlich im abendländischen chromatischen Tonsystem nicht vorhandenen, zwischen großer und kleiner Terz und reiner und verminderter Quinte liegenden Blue Notes dadurch anzunähern, dass die beiden benachbarten Töne nacheinander oder gemeinsam gespielt werden. Anwendung. The Blues Play-A-Long and Solos Collection for Piano and Keyboards, The Blues Play-A-Long and Solo's Collection for Piano/Keyboards Beginner Series, Blues Play-A-Long and Solos Collection for Piano/Keyboards Intermediate-Advanced Level, 100 Ultimate Blues Riffs for Piano/Keyboards Beginner Level, 100 Ultimate Blues Riffs for Piano/Keyboards Intermediate/Advanced Level, 100 Ultimate Blues Riffs for Piano/Keyboards Vol.2, Blues Bass Lines for Piano/Keyboards In All 12 Keys, Beginner Blues Exercises for Piano/Keyboards, Latin Solo Series for Piano/Keyboards PDF/mp3/MIDI files, Latin Solo Series for Piano/Keyboards PDF file, Latin Solo Series for Piano/Keyboards PDF/mp3 files, Latin Solo Series for Piano/Keyboards MIDI files, Latin Solo Series for Organ PDF/mp3 files, 60 Of The Funkiest Keyboard Riffs Known To Mankind, 100 Ultimate Soul, Funk and R&B Grooves for Organ, 100 Ultimate Soul, Funk and R&B Grooves for Piano/Keyboards, Outta Sight Funk and R&B Riffs for Piano/Keyboards, Outstanding Blues and Jazz Organ/Keyboard Solos, The Bluesier Side of Jazz for Piano/Keyboards, 100 Ultimate Jazz Riffs for Organ downloadable PDF/mp3 files, 100 Ultimate Jazz Riffs for Piano/Keyboards, Ultra Smooth Jazz Grooves for Piano/Keyboards, Ultra Smooth Jazz Play-A-Long Songbook for C instruments by The Super Groovers, Gospel Riffs God Would Love To Hear for Piano/Keyboards, Gospel Riffs God Would Love To Hear for Organ, Ultimate Contemporary Rhythm Keyboard Grooves, The Art Of Successful Rhythm Keyboard Playing, 100 Ultimate Blues Riffs for Guitar Beginner Series. This sequence was often slightly modified in swing, R & B and boogie-woogie of the thirties: ex 12b

N.B. Whether it’s jazz,  rock and roll, or country, these scales are used in every style. Tritonus: c, d, es, e, f, ges, g, a, b) und die so genannte B.-B.-King-Blues-Skala (c, es, f, ges, g, a), die nicht ganz so „mollig“ wirkt wie die Moll-Bluestonleiter. Fingering, transposing, Blues, videos, Vibrato, subtone, altissimo, embouchure, tuning, Licks & patterns. The  major pentatonic scale is 1, 2, 3, 5, 6, 1, of the major scale. Blues Play-A-Long and Solos Collection for Tenor Sax and Bb Instruments Intermediate-Advanced Level, Blues Play-A-Long and Solos Collection for Alto Sax and Eb Instruments Intermediate-Advanced Level, 100 Ultimate Blues Riffs for Bb instruments, 100 Ultimate Blues Riffs for Eb instruments, 100 Ultimate Blues Riffs for Bb instruments Beginner Level, 100 Ultimate Blues Riffs for Eb instruments Beginner Level, Blues Horn Ensemble for Bb and Eb instruments pdf, Blues Horn Ensemble for Bb and Eb instruments PDF/MP3 files, Latin Solo Series for Tenor Saxophone and Bb instruments, Latin Solo Series for Alto Saxophone and Eb instruments, Latin Solo Series for Tenor and Bb instruments PDF/mp3/midi files, Latin Solo Series for Alto Saxophone and Eb instruments downloadable PDF/mp3/midi files, Ultimate Funk Grooves for Tenor and Bb instruments, Ultimate Funk Grooves for Alto and Eb Instruments, 100 Ultimate Soul, Funk and R&B Grooves for Tenor Saxophone and Bb instruments, 100 Ultimate Soul, Funk and R&B Grooves for Alto Saxophone and Eb instruments Book/mp3 files, 100 Ultimate Soul, Funk and R&B Grooves for Flute, The Blues Play-A-Long and Solos Collection for Flute Beginner Series, The Blues Play-A-Long and Solo Collection for Recorder Beginner Series, Blues Play-A-Long and Solos Collection for Flute Intermediate-Advanced Level, 100 Ultimate Blues Riffs for Flute Beginner Series, The Blues Scale for Trombone PDF/mp3 files, The Blues Scale for Trumpet PDF/mp3 files, The Blues Play-A-Long and Solos Collection for Trumpet Beginner Series PDF/mp3 files, The Blues Play-A-Long and Solos Collection for Trombone Beginner Series PDF/mp3 files, 100 Ultimate Blues Riffs for Brass Instruments, Latin Solo Series for Trumpet PDF/mp3 audio filest, Latin Solo Series for Trombone PDF/mp3 audio files, 100 Ultimate Soul, Funk and R&B Grooves for Trombone, 100 Ultimate Soul, Funk and R&B Grooves for Trumpet, 100 Ultimate Soul, Funk and R&B Grooves for Bass PDF/MP3 files, The Blues Play-A-Long and Solos Collection for Violin Beginner Series, 100 Ultimate Blues Riffs for Clarinet Beginner Series, Blues Play-A-Long and Solo's Collection Beginner Series Clarinet PDF/mp3 files, An Introduction To Arabic Music and The Maqams, Popular Jazz, Blues, Rock Song Play-A-Longs, Herbie Hancock lectures at Harvard University. Use the A minor pentatonic over an A minor chord – Amin – Amin7 – Amin9. B flat Blues (Concert D flat) 5. Subscribe to our email newsletter today to receive updates on the latest news, tutorials and special offers! Diese Technik wird von versierten Gitarristen auch unbewusst eingesetzt.). ex 12a: A very basic 12 bar sequence There are two types of pentatonic scales, major pentatonic and minor pentatonic. This alteration of the 3rd note of the tonic scale from major on the I chord to minor as it becomes the 7th of the IV chord is extremely useful when composing or improvising any type of blues. Did you enjoy this article? There are always three 4 bar phrases (ex 9e): As you can see, the second phrase is altered slightly to fit the different chords. B Blues (Concert A) 9. C Blues (Concert E flat) 3.

That’s a good place to start if you don’t know what ear training or playing by ear means. Blues players usually indicate to the band whether they want a V-IV or II-V type sequence. Use the A blues scale over an A dominant chord, – A7 – A9 – A11, or Amin chords, Amin, Amin7, Amin9.
Ein Sänger kann natürlicherweise die Tonhöhe beliebig anpassen. Although theoretically you could think in terms of the RN analysis we have been using, and play a scale of F Mixolydian (mode starting on F using notes of the Bb major scale) this is unlikely to sound good. A flat Blues (Concert G flat) 6. A Minor blues scale is the tried and true scale that you find in Aebersold books like Maiden Voyage. on alto in Bb (concert), it’s. B. Violine) ist diese Technik ebenfalls möglich, jedoch kann hier der gewünschte Ton auch direkt gegriffen werden. in the key of C you use a C blues scale and do not usually change to an F blues scale for the F7 chord at bar 5. Here is the breakdown. The blues scale and minor pentatonic scale are similar. There is a blues scale which contains these notes, however in a major key most players combine the flattened notes with the natural notes. Tonic (sometimes with a subdominant on bar two), Subdominant and back to tonic (often with repeat of first melody and lyric), Dominant (sometimes via subdominant) back to tonic (often with different melody and lyric). Alto Saxophone Jazz Ensemble Blues Scales 1. E flat Blues (Concert G flat) 6. ex 12k: Note the IIm7-V7 progression instead of V7 in the second chorus. Dafür spricht, dass diese Tonkombinationen im Blues häufig gespielt werden, dagegen spricht, dass der Zweiklang e-es völlig anders klingt, als ein einzelner Ton zwischen diesen beiden Tönen, und dass die Blue-Notes nicht unbedingt zwischen den Halbtonschritten der genannten Skala liegen. The book consists of 20 grooves: Pop 2 Grooves Rock 3 Grooves Blues 2 Grooves Jazz 1 Groove Funk 3 Grooves R&B 1 Groove Latin 1 Groove deren Klang in Art einer Tonleiter darzustellen. For the saxophone player, a very important tool. The bad news is that although the blues scale fits OK, so it is easy to start off playing a reasonable blues solo, it can become boring quite quickly to just  use this one scale. From there there, I shall refer to this as the minor blues scale but bear in mind it can be used in major and minor blues sequences. This was quite common among swing bands of the 30’s. is the blues scale. The above example only introduces the 7th to the tonic at bar 4 to emphasise this chord change. Players like David Sanborn, Michael Brecker, Bob Berg, Grover Washington Jr., Chris Potter, Jerry Bergonzi and John Coltrane, to name just a few. I want to start with the Cmaj, Cmin, Fmaj, Fmin, Gmaj, Gmin, Bb maj and Bb min. Lets talk about the blues scale. G Blues (Concert B flat) 2. We call this the major blues scale (ex 12i). C-Blues Blues Scales for Tenor Saxophone 4 C#-Blues 7 D-Blues 10 Eb-Blues 13 E-Blues 16 C EbF F#G BbC Eb C BbG GbF EbC C#E F#G G#B C# E C#B G#G F# E C# D F G 4 G#A 5 C D F D C A 5 AbG 4 F D EbGbAbA BbDbEbGb EbDbBbA AbGbEb E G A A#B D E G E D B BbA G E learnsax.co.uk GNU General open source document page 1 of 2. The IV chord is very often a IV7, but the F7 at bar 6 is chord IV7 of C, not chord V7 of Bb. Home > Impro & Theory > Theory > 12 Bar Blues Chords. (ex 12g). Use the A minor pentatonic over an A minor chord – Amin – Amin7 – Amin9.

The image to the right shows both the C and A (relative minor of C) Blues scales.Throughout the book there are patterns of these two scales both individually and together creating a huge library of improvisational melodic lines to choose from. The Blues Play-A-Long full band recordings to practice with.


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